Graham Swift Mothering Sunday A Romance 2017 Scribner 2017

Synopsis

<b>Now a major film starring Olivia Colman, Colin Firth, Odessa Young and Josh O'Connor (The Crown), scripted by Alice Birch (Normal People)</b><br> <br> '<b>Exquisite</b> . . . <i>Mothering Sunday</i> shows love, lust and ordinary decency straining against the bars of an unjust English caste system' <b>Kazuo Ishiguro</b><br> <br> It is March 30th 1924. It is Mothering Sunday.<br> <br> How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold?<br> <br> Beginning with an intimate assignation and opening to embrace decades, <i>Mothering Sunday</i> has at its heart both the story of a life and the life that stories can magically contain. Constantly surprising, joyously sensual and deeply moving, it is Graham Swift at his thrilling best.<br> <br> <b>Praise for <i>Mothering Sunday</i>:</b><br> <br> '<i>Mothering Sunday</i> is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives - the parallel stories - we can never know ... It <b>may just be Swift's best novel yet</b>' <i><b>The Observer</b></i><br> <br> 'Dazzling . . . a vanished world is resurrected with superb immediacy . . . <b>wonderfully accomplished</b>' <i><b>Sunday Times</b></i><br> <br> 'Stunning . . . It is about the most perfect novel you could wish to read' <b><i>The Guardian</i></b><br> <br> 'From start to finish Swift's is a novel of <b>stylish brilliance</b> and quiet narrative verve . . . Swift is a writer at the very top of his game' <b><i>Evening Standard</i></b><br> <br> From the Booker-winning author of <i>Last Orders</i> and <i>Waterland</i> comes a long-awaited new novel. '<i>Mothering Sunday</i> is bathed in light; and even when tragedy strikes, it blazes irresistibly... Swift's small fiction <b>feels like a masterpiece' <i>The </i><i>Guardian</i></b><br> <br> '<b>Mastery and resonance</b> . . . It's one of the novel's great strengths to be able to shift with such agility between focus scene and lifetime recollection . . . the languid, blissful minutes of March 30, 1924 seem to contain all the succeeding decades'<b><i> Times Literary Supplement </i></b><br> <br> 'A <b>dazzling</b> read: sexy, stylish, subversive' <i><b>Herald Scotland</b></i><br> <br> 'A <b>jewel of a book</b>, a subtle, erotically charged novella suspended between past and future' <b>Hermione Lee</b><br> <br> 'A <b>work of gold</b> from the subtle pen of the great Graham Swift' <b><i>Le Monde</i></b><br> <br> 'With this novel <b>he captures what it means to be alive</b>' <b><i>Der Spiegel</i></b><br> <br> 'An <b>exquisite</b> novella of love and loss . . . a short yet powerful and intricately layered work . . . every sentence counting and <b>not a word out of place</b>' <i><b>The Australian</b></i>